episode | character | line | show excerpt |
|
One: Compassionate Leave
|
FIRST DRIVER
|
There's gotta be a reason for that kind of behaviour.
|
|
|
One: Compassionate Leave
|
SECOND DRIVER
|
He's scared shitless of Jimmy, that's the reason.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
In God's name, man, I'm not asking much!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
I'm asking you to delay the enquiry until we get back from Blackpool. It's only two weeks!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
I've been in your office, Ronnie. I've seen your workload.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
You've got cases piled on your desk - frauds, rapes, robberies.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
You should welcome an opportunity to get some of that cleared up.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I want to get THIS cleared up.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
So do I - it were me that wanted you called in, remember?
|
|
|
One: Compassionate Leave
|
GODBOLT
|
But poking around in Blackpool during the Trades Union Conference? It's not on!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It was fraud, Jim!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
We're talking about 300 bloody votes, and what were my majority? 2,300!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Ronnie, we're on the brink of another strike, and you want to divert attention to a so-called election fix!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Is that what you want?
|
|
|
One: Compassionate Leave
|
GODBOLT
|
What are you trying to do, Ronnie? Discredit the union? Don't you think there's enough people want to do that?
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Stop playing by the rules, Ronnie. They don't cover this contingency.
|
|
|
One: Compassionate Leave
|
|
[GARBLED RADIO]
|
|
|
One: Compassionate Leave
|
MAN 1
|
Have you got a light, please?
|
|
|
One: Compassionate Leave
|
MAN 2
|
Yeah, sure.
|
|
|
One: Compassionate Leave
|
MAN 1
|
Thank you.
|
|
|
One: Compassionate Leave
|
SECOND DRIVER
|
There's someone down there. Down the track, in the bushes.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Right. Are we agreed, then?
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Can we have a show of hands, then, brothers?
|
|
|
One: Compassionate Leave
|
GODBOLT
|
You chose a good one there, Harold. He's stubborn, but he's OK.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Not some clown trying to get himself on "News at Ten."
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Got a tough time ahead of me over the next two weeks.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
I'm not looking forward to it. See you when I get back.
|
|
|
One: Compassionate Leave
|
ROSS
|
Have a good trip.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
I will!
|
|
|
One: Compassionate Leave
|
ROSS' DRIVER
|
I thought someone was down there.
|
|
|
One: Compassionate Leave
|
ROSS
|
A bloody reporter more than like!
|
|
|
One: Compassionate Leave
|
ROSS' DRIVER
|
Didn't look like a reporter to me, boss.
|
|
|
One: Compassionate Leave
|
|
[PEOPLE JEER AND SHOUT ON TV]
|
|
|
One: Compassionate Leave
|
|
[PHONE RINGS]
|
|
|
One: Compassionate Leave
|
TV
|
Because of this week's clashes with pickets, Scotland Yard are investigating complaints of police brutality.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Craven.
|
|
|
One: Compassionate Leave
|
JONES
|
How'd it go?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He wants it put off.
|
|
|
One: Compassionate Leave
|
JONES
|
Till when?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Indefinitely.
|
|
|
One: Compassionate Leave
|
JONES
|
Did you agree?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No. We won't go to Blackpool, that's all I agreed.
|
|
|
One: Compassionate Leave
|
JONES
|
What are you doing now?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Picking up Emma. Why?
|
|
|
One: Compassionate Leave
|
JONES
|
There was a geezer hanging around you in the meet.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Ross said it was a reporter.
|
|
|
One: Compassionate Leave
|
JONES
|
Maybe. I think I'll go out and take a look.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Don't catch pneumonia. It's pissing down outside.
|
|
|
One: Compassionate Leave
|
JONES
|
Cheers, Derek.
|
|
|
One: Compassionate Leave
|
KENNETH KENDALL
|
[V.O] ... the main stories again. The Government has launched a new election manifesto designed to attract the growing Green vote in this country. Called ''The Greening of England'' it calls for a new radical approach to the environment. An influx...
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
Yes, you can contribute, but not to the kind of nuclear state that they want. And what do they face you with? With closure. They say it's in the name of economy.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
But I say look behind it. Look at the mentality behind it which is so suspect.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
It is a siege mentality.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
[V.O.] We see ministers busily winding up the drawbridge on the open society...
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
[V.O.] ..and threatening a rerun, dare I say it, of the Middle Ages!
|
|
|
One: Compassionate Leave
|
STUDENTS
|
[V.O.] Yeah!
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
[V.O.] But I say this, too, that I believe that there are new forces in our society. New forces, new loyalties, new ideas not yet articulated which may yet come to our rescue.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
Now some of them will come from the Labour Party.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
And some of them will come from other associations perhaps not yet formed, I accept that as well. But I say this - that in whatever shape these new forces manifest themselves, they will come from you, the despised students of humanities.
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
[O.S.] It is.. It is you and your generation who will have to confront the frightening dangers that lie ahead. It is you who will have to deal with the dangers that I've outlined.
|
|
|
One: Compassionate Leave
|
|
[CHEERS AND APPLAUSE]
|
|
|
One: Compassionate Leave
|
MICHAEL MEACHER
|
But I believe you and your generation, the new rising generation. You do have the courage, the optimism and the determination. And I believe you will do what the nation...
|
|
|
One: Compassionate Leave
|
|
[CHEERING DROWNS WORDS]
|
|
|
One: Compassionate Leave
|
EMMA
|
Comrade sisters, I think we should now put the motion to the vote.
|
|
|
One: Compassionate Leave
|
EMMA
|
Due to this latest crisis in Western capitalism, the corporation's running a reduced bus service.
|
|
|
One: Compassionate Leave
|
EMMA
|
[O.S] The last bus has been brought forward by one hour.
|
|
|
One: Compassionate Leave
|
EMMA
|
May the tellers please come forward and make themselves known?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Where's your coat?
|
|
|
One: Compassionate Leave
|
EMMA
|
Catch any of the speeches?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I got stuck in a crowd of your sisters. It was difficult to concentrate.
|
|
|
One: Compassionate Leave
|
EMMA
|
You think of nothing but sex these days, Dad.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Do I?
|
|
|
One: Compassionate Leave
|
EMMA
|
You should try and grow out of it!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Why?
|
|
|
One: Compassionate Leave
|
EMMA
|
Because there are other things! The whole world's falling around your ears and you don't even care.
|
|
|
One: Compassionate Leave
|
EMMA
|
What about the union enquiry?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We're making progress.
|
|
|
One: Compassionate Leave
|
EMMA
|
Are you going to Blackpool?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No.
|
|
|
One: Compassionate Leave
|
EMMA
|
Good. The press would have had a field day.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I can't say I'm sorry.
|
|
|
One: Compassionate Leave
|
EMMA
|
Who's going to look after you when I've gone?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'll find some little number. Set her up.
|
|
|
One: Compassionate Leave
|
EMMA
|
That's not funny!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[Whispers] Give us your hand.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
When are you going?
|
|
|
One: Compassionate Leave
|
EMMA
|
Soon.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Have you found someone?
|
|
|
One: Compassionate Leave
|
EMMA
|
Yep.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's he like?
|
|
|
One: Compassionate Leave
|
EMMA
|
You wouldn't like him!
|
|
|
One: Compassionate Leave
|
EMMA
|
What's for supper?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[O.S.] Ratatouille.
|
|
|
One: Compassionate Leave
|
EMMA
|
I bet it's tinned!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No, it isn't.
|
|
|
One: Compassionate Leave
|
EMMA
|
It always is Dad, and you always pretend it isn't!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You can't tell the difference.
|
|
|
One: Compassionate Leave
|
EMMA
|
Yes, I can!
|
|
|
One: Compassionate Leave
|
EMMA
|
Ready? Go!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I've got this new recipe!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You open a tin of tomatoes, a tin of aubergines...
|
|
|
One: Compassionate Leave
|
GUNMAN
|
Craven, you bastard! You bloody murdering bastard!
|
|
|
One: Compassionate Leave
|
GUNMAN
|
It's your turn now!
|
|
|
One: Compassionate Leave
|
EMMA
|
DON'T !
|
|
|
One: Compassionate Leave
|
|
[CAR ENGINE REVS]
|
|
|
One: Compassionate Leave
|
EMMA
|
Don't ...tell.
|
|
|
One: Compassionate Leave
|
|
[CAR DRIVES AWAY]
|
|
|
One: Compassionate Leave
|
DETECTIVE 1
|
Well, I've known her since she were a kid.
|
|
|
One: Compassionate Leave
|
DETECTIVE 2
|
He'd only been here about a year when his wife died of cancer.
|
|
|
One: Compassionate Leave
|
DETECTIVE 3
|
Jesus Christ! What can you say? Some people have all the luck.
|
|
|
One: Compassionate Leave
|
DETECTIVE 1
|
They'll give him extended leave, I expect, until he gets sorted out.
|
|
|
One: Compassionate Leave
|
JONES
|
Do me a favour, eh. Get out front and give me the word if you see Ross. Or anyone else.
|
|
|
One: Compassionate Leave
|
JONES
|
It's all right. He's here.
|
|
|
One: Compassionate Leave
|
JONES
|
He's in there.
|
|
|
One: Compassionate Leave
|
ROSS
|
How is he?
|
|
|
One: Compassionate Leave
|
JONES
|
He won't budge.
|
|
|
One: Compassionate Leave
|
DETECTIVE
|
Hello? Yeah, hold on a second, will you?
|
|
|
One: Compassionate Leave
|
DETECTIVE
|
For you.
|
|
|
One: Compassionate Leave
|
JONES
|
Ta.
|
|
|
One: Compassionate Leave
|
JONES
|
Hello, yes. Yeah.
|
|
|
One: Compassionate Leave
|
JONES
|
Which roads?
|
|
|
One: Compassionate Leave
|
JONES
|
Right.
|
|
|
One: Compassionate Leave
|
JONES
|
Yeah, all of them.
|
|
|
One: Compassionate Leave
|
JONES
|
Anything?
|
|
|
One: Compassionate Leave
|
JONES
|
Well, look, keep me informed, will you?
|
|
|
One: Compassionate Leave
|
ROSS
|
Come on, Ronnie. Let's get out of here.
|
|
|
One: Compassionate Leave
|
ROSS
|
This is no place for you.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm staying.
|
|
|
One: Compassionate Leave
|
ROSS
|
Come back to my place. Get away from here.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm staying.
|
|
|
One: Compassionate Leave
|
ROSS
|
They've been turning out as far as Newcastle. Everybody's out.
|
|
|
One: Compassionate Leave
|
ROSS
|
It was you he was after.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He called me out...
|
|
|
One: Compassionate Leave
|
CRAVEN
|
..but she ran forward.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It was a shotgun.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He fired both barrels.
|
|
|
One: Compassionate Leave
|
ROSS
|
We'll get the buggers, Ronnie.
|
|
|
One: Compassionate Leave
|
ROSS
|
I promise you.
|
|
|
One: Compassionate Leave
|
MAN
|
Forensic's finished, sir.
|
|
|
One: Compassionate Leave
|
ROSS
|
just a couple of swabs, Ronnie.
|
|
|
One: Compassionate Leave
|
ROSS
|
I'll leave a man here.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I don't want anyone in the house, and it's too wet for him out here.
|
|
|
One: Compassionate Leave
|
ROSS
|
They may be back.
|
|
|
One: Compassionate Leave
|
ROSS
|
I'll see you first thing in the morning.
|
|
|
One: Compassionate Leave
|
ROSS
|
Jones...
|
|
|
One: Compassionate Leave
|
ROSS
|
I want a car at the end of the drive. Three men. Armed.
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O. Answer machine] Hi, Dad, it's Emma. I'll be at college till ten. If it's still raining, will you pick me up? Love you. Bye!
|
|
|
One: Compassionate Leave
|
|
[MACHINE BEEPS]
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] Ratatouille?
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] And it's tinned, I bet!
|
|
|
One: Compassionate Leave
|
|
[DOOR BLOWS SHUT]
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
[V.O.] Don't worry, Daddy. I promised Mummy I'd look after you.
|
|
|
One: Compassionate Leave
|
NURSE
|
What will you do with the child? In your job, you don't have enough spare time.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We'll manage.
|
|
|
One: Compassionate Leave
|
NURSE
|
Have you thought of boarding school?
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
I think you should sleep with me tonight, Daddy.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I guess so.
|
|
|
One: Compassionate Leave
|
|
[MOBILE TINKLES]
|
|
|
One: Compassionate Leave
|
|
[MUSIC: "TIME OF THE PREACHER"]
|
|
|
One: Compassionate Leave
|
|
[WILLIE NELSON]
|
|
|
One: Compassionate Leave
|
|
♪ It was the time of the preacher ♪
|
|
|
One: Compassionate Leave
|
|
♪ When the story began ♪
|
|
|
One: Compassionate Leave
|
|
♪ The choice of a lady ♪
|
|
|
One: Compassionate Leave
|
|
♪ The love of a man ♪
|
|
|
One: Compassionate Leave
|
|
♪ And how he loved her so dearly ♪
|
|
|
One: Compassionate Leave
|
|
♪ He went out of his mind ♪
|
|
|
One: Compassionate Leave
|
|
♪ And she left him for someone ♪
|
|
|
One: Compassionate Leave
|
|
♪ That she'd left behind ♪
|
|
|
One: Compassionate Leave
|
|
♪ He cried like a baby ♪
|
|
|
One: Compassionate Leave
|
|
♪ He screamed like a panther in the middle of the night ♪
|
|
|
One: Compassionate Leave
|
|
♪ And he saddled his pony ♪
|
|
|
One: Compassionate Leave
|
|
♪ And went for a ride ♪
|
|
|
One: Compassionate Leave
|
|
♪ It was the time of the preacher ♪
|
|
|
One: Compassionate Leave
|
|
♪ In the year of 01 ♪
|
|
|
One: Compassionate Leave
|
|
♪ Now the preaching is over ♪
|
|
|
One: Compassionate Leave
|
|
♪ And the lesson's begun ♪
|
|
|
One: Compassionate Leave
|
|
[INSTRUMENTAL BRIDGE]
|
|
|
One: Compassionate Leave
|
|
♪ But he could not forgive her ♪
|
|
|
One: Compassionate Leave
|
|
♪ Though he tried and he tried and he tried ♪
|
|
|
One: Compassionate Leave
|
|
♪ In the halls of his memory ♪
|
|
|
One: Compassionate Leave
|
|
♪ Still echo her eyes ♪
|
|
|
One: Compassionate Leave
|
|
♪ He cried like a baby ♪
|
|
|
One: Compassionate Leave
|
|
♪ He screamed like a panther in the middle of the night ♪
|
|
|
One: Compassionate Leave
|
|
♪ And he saddled his pony ♪
|
|
|
One: Compassionate Leave
|
|
♪ And he went for a ride ♪
|
|
|
One: Compassionate Leave
|
|
♪ It was the time of the preacher ♪
|
|
|
One: Compassionate Leave
|
|
♪ In the year of 01 ♪
|
|
|
One: Compassionate Leave
|
|
♪ Now the lesson is over ♪
|
|
|
One: Compassionate Leave
|
|
♪ And the killing's begun ♪
|
|
|
One: Compassionate Leave
|
|
[RINGING TONE]
|
|
|
One: Compassionate Leave
|
WOMAN
|
[V.O.] West Yorkshire police station, can I help you?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Good morning. My name is Pendleton. I wonder could I have a word with the Chief Constable?
|
|
|
One: Compassionate Leave
|
|
[RINGING TONE]
|
|
|
One: Compassionate Leave
|
ROSS
|
I've had to stand down the night watch, sir. They're dead on their feet.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
That was Whitehall showing an interest.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
A man called Pendleton.
|
|
|
One: Compassionate Leave
|
ROSS
|
There's nothing here for them.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
Are you sure?
|
|
|
One: Compassionate Leave
|
ROSS
|
Yeah.
|
|
|
One: Compassionate Leave
|
ROSS
|
Who the hell is Pendleton?
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
I don't know, but he came through on the direct line.
|
|
|
One: Compassionate Leave
|
ROSS
|
What's Godbolt doing here? Doesn't he know what's going on?
|
|
|
One: Compassionate Leave
|
|
[KNOCK AT DOOR]
|
|
|
One: Compassionate Leave
|
|
[DOOR OPENS]
|
|
|
One: Compassionate Leave
|
GODBOLT
|
I only heard news when I reached conference. I came straight away.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
I appreciate you coming, Jim.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Well as you know, I lost a son down the pit at 20.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
Sit down.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
He'll be given a spot of leave -
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
you know, just to sort himself out -
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
which means he'll have to come off your enquiry.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
Well, I'll be sad to see him go.
|
|
|
One: Compassionate Leave
|
GODBOLT
|
It's a difficult thing, investigating a union...
|
|
|
One: Compassionate Leave
|
GODBOLT
|
..but Ronnie has a certain tact - a rare quality in a Yorkshireman.
|
|
|
One: Compassionate Leave
|
ELLIOTT
|
I know what you mean!
|
|
|
One: Compassionate Leave
|
GODBOLT
|
So, who's going to replace him?
|
|
|
One: Compassionate Leave
|
|
[NOISY HUBBUB]
|
|
|
One: Compassionate Leave
|
DI
|
It's not really his M.O., is it?
|
|
|
One: Compassionate Leave
|
DETECTIVE 1
|
He's a right evil bastard, I wouldn't worry about him, though.
|
|
|
One: Compassionate Leave
|
DI
|
Excuse me. Yes, Jonesy.
|
|
|
One: Compassionate Leave
|
JONES
|
I was just wondering how it was going, sir?
|
|
|
One: Compassionate Leave
|
DI
|
Well, there's plenty of stuff coming in, but nothing really concrete.
|
|
|
One: Compassionate Leave
|
JONES
|
Any joy with the cartridge cases? Have you found them yet?
|
|
|
One: Compassionate Leave
|
DI
|
No, we're still working on it.
|
|
|
One: Compassionate Leave
|
JONES
|
Do me a favour would you love? Run that through the system. Let me know as soon as you have something.
|
|
|
One: Compassionate Leave
|
JONES
|
Give us a shout, Sue, if anything crops up. I'm in the office.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Any news?
|
|
|
One: Compassionate Leave
|
JONES
|
No.
|
|
|
One: Compassionate Leave
|
JONES
|
Are you OK?
|
|
|
One: Compassionate Leave
|
JONES
|
Ross has had us up all night going through your notebooks.
|
|
|
One: Compassionate Leave
|
JONES
|
He's convinced it's someone you put away.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It could be.
|
|
|
One: Compassionate Leave
|
JONES
|
When you see him, will you give him this list? It's the final selection.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
OK.
|
|
|
One: Compassionate Leave
|
JONES
|
Ron... Are you sure you're all right?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm fine.
|
|
|
One: Compassionate Leave
|
DETECTIVE 2
|
Poor bastard!
|
|
|
One: Compassionate Leave
|
ROSS
|
I had to stand them down, Ronnie. They're away from here by now.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
In London, I should think.
|
|
|
One: Compassionate Leave
|
ROSS
|
The road blocks will stay till noon.
|
|
|
One: Compassionate Leave
|
ROSS
|
Then I meet the press. Do you want to come?
|
|
|
One: Compassionate Leave
|
ROSS
|
I've been working on the assumption that this was a grudge killing.
|
|
|
One: Compassionate Leave
|
ROSS
|
She stepped out in front of the gun. That's what you said last night?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yeah.
|
|
|
One: Compassionate Leave
|
ROSS
|
But it was aimed at you?
|
|
|
One: Compassionate Leave
|
DI
|
I'm sorry, sir. I'll come back later.
|
|
|
One: Compassionate Leave
|
ROSS
|
So it has to be someone on this list.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Sir, I want to get down to the college. Pick up her stuff.
|
|
|
One: Compassionate Leave
|
ROSS
|
Ronnie, this list is important. I think we should go through it. Unless you think it's a waste of time.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
This afternoon.
|
|
|
One: Compassionate Leave
|
ROSS
|
Is there anything you want me to tell the media?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
just get her age right. She was 21, not 19 as the radio put it.
|
|
|
One: Compassionate Leave
|
ROSS
|
There's a note from Muntsey.
|
|
|
One: Compassionate Leave
|
ROSS
|
The coroners are postponing their report pending your identification.
|
|
|
One: Compassionate Leave
|
ROSS
|
Can you manage that?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'll go down now.
|
|
|
One: Compassionate Leave
|
ROSS
|
Are you sure?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes, I'm sure!
|
|
|
One: Compassionate Leave
|
ROSS
|
Ronnie...
|
|
|
One: Compassionate Leave
|
ROSS
|
Officially, you have nothing to do with this enquiry.
|
|
|
One: Compassionate Leave
|
ROSS
|
Unofficially, keep me informed.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Thank you, sir.
|
|
|
One: Compassionate Leave
|
SHIRLEY
|
Here you are, Mr Craven. I've taken out all the fat.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Thank you, Shirley.
|
|
|
One: Compassionate Leave
|
SHIRLEY
|
It was such a shame. She was such a little beauty.
|
|
|
One: Compassionate Leave
|
|
[SHE SOBS]
|
|
|
One: Compassionate Leave
|
CRAVEN
|
C'mon, lass.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You'll have us all at it in a minute!
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
We bypassed casualty.
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
There's always some bright young spark looking for kidneys.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
She wouldn't have minded.
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
Yes, well, she's the property of the court now, but tell that to some chap out there with a kid on a dialysis machine.
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
Remember Ronnie, you're not the first dad who's been down here.
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
This is an identification procedure, not a test in stiff upper lip.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Let's get on with it.
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
I don't believe in the repression of feeling.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Don't lecture me, Muntsey!
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
Is this your daughter?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes, sir, it is.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
LEAVE IT!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What was the cause of death?
|
|
|
One: Compassionate Leave
|
MUNTSEY
|
Shock, massive haemorrhaging. The heart went into fibrillation...
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] I wanted to kiss you but it would have embarrassed Muntsey, so I asked for some scissors and cut off a piece of your hair.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] It was still damp, and despite the lycol, it smelt of rain and crushed grass.
|
|
|
One: Compassionate Leave
|
CARETAKER
|
She were a nice girl. She had a nice smile an' all.
|
|
|
One: Compassionate Leave
|
CARETAKER
|
And SHE never complained.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Get lots of complaints, do you?
|
|
|
One: Compassionate Leave
|
CARETAKER
|
All the time. I open too late, the showers are cold, flickering lights - I'm not an electrician - and dust on the court.
|
|
|
One: Compassionate Leave
|
CARETAKER
|
That lot, you know, they'd have you on your hands and knees if they could!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Is this it?
|
|
|
One: Compassionate Leave
|
CARETAKER
|
That's right.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Open it.
|
|
|
One: Compassionate Leave
|
|
[CLATTERING]
|
|
|
One: Compassionate Leave
|
CARETAKER
|
I'll get you something to put it all in.
|
|
|
One: Compassionate Leave
|
|
[BUZZER]
|
|
|
One: Compassionate Leave
|
WOMAN
|
Who is it?
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
Darius Jedburgh.
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
Howdy!
|
|
|
One: Compassionate Leave
|
PENDLETON
|
What the hell are you doing here?
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
Just got back from Texas. Brought you a present from Houston.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
What are they?
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
Satellite photos. Northmoor.
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
The kid was right.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
The kid is dead.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
She was killed last night by a gunman.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Latest reports suggest he was after her father, who's a policeman, you know.
|
|
|
One: Compassionate Leave
|
JEDBURGH
|
Reckon he knows about all this?
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] Into the washer.
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] Not that!
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] The colours will run!
|
|
|
One: Compassionate Leave
|
EMMA
|
[V.O.] Put it on cold wash.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I've done that.
|
|
|
One: Compassionate Leave
|
|
[STEADY LOW CLICKING]
|
|
|
One: Compassionate Leave
|
|
[INTENSE LOUD CLICKING]
|
|
|
One: Compassionate Leave
|
|
[CLICKING GETS LOUDER]
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Godbolt.
|
|
|
One: Compassionate Leave
|
JONES
|
I'll just keep it warm for you.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Nail him if you can.
|
|
|
One: Compassionate Leave
|
JONES
|
How long will you be away?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
A couple of weeks.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Break-ins, mostly kids. Craigmills area. And that's the lot.
|
|
|
One: Compassionate Leave
|
JONES
|
Thanks, Ronnie.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm going to London.
|
|
|
One: Compassionate Leave
|
ROSS
|
Why?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
That's where they'll be and I want to be there when they're picked up.
|
|
|
One: Compassionate Leave
|
ROSS
|
Did Emma have a boyfriend?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes. I don't know the latest.
|
|
|
One: Compassionate Leave
|
ROSS
|
Terry Shields, Latchmere Road, N10. The Met checked him out.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
And?
|
|
|
One: Compassionate Leave
|
ROSS
|
And they gave him a clean bill of health. He's a political agitator, evidently.
|
|
|
One: Compassionate Leave
|
ROSS
|
Ronnie, what about this list? I've narrowed it down from 50...
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Suppose it's none of them?
|
|
|
One: Compassionate Leave
|
ROSS
|
I'm not with you.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Suppose it's nobody on the list? Someone else?
|
|
|
One: Compassionate Leave
|
ROSS
|
Are you saying this has nothing to do with revenge?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I don't know.
|
|
|
One: Compassionate Leave
|
ROSS
|
OK. Well look after yourself while you're down there.
|
|
|
One: Compassionate Leave
|
ROSS
|
I'll let the Met know you're coming. We'll be in contact daily.
|
|
|
One: Compassionate Leave
|
ROSS
|
I suppose there's nothing else I should know before you go?
|
|
|
One: Compassionate Leave
|
ROSS
|
About Emma, for instance?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Not that I can think of.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] I've only been to London on two occasions not connected with business.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] Both times with your mother.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] The first time, we went to Buckingham Palace where I received a medal from the Queen.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] The second was when we went to a hospital on the Fulham Road so she could have an operation.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] We were there for six weeks, and you were sent to stay with your Auntie May.
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
[V.O] What did the Queen say to you?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
She said "You must be a very brave man, Inspector."
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
Did she ask you to stay for tea?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No!
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
All that way and you didn't stay for tea?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
There was a reception - we did have tea but not with the Queen.
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
Ann Soames' dad says the Queen isn't a friend of the miners.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Ann Soames' dad is a Communist.
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
What's a Communist?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Someone who doesn't like the Queen.
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
Ann Soames' dad says the Queen is a waste of money.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's money got to do with it? Money doesn't come into it.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You would still be dead and so would Mum.
|
|
|
One: Compassionate Leave
|
YOUNGER EMMA
|
Don't cry, Dad.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm not.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] I suppose it's only natural, but a city seems to reflect the memories one has of it.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] Emma always connected London with that trip to Buckingham Palace, but I always associate it with cancer.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Detective Inspector Craven?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Detective Inspector Dingle, C11. Welcome to the monkey house!
|
|
|
One: Compassionate Leave
|
DINGLE
|
Don't use the booze in the fridge. This is cheaper.
|
|
|
One: Compassionate Leave
|
DINGLE
|
That's better!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Who's paying for this?
|
|
|
One: Compassionate Leave
|
DINGLE
|
We are. Could have put you up in the section house, but what the hell?
|
|
|
One: Compassionate Leave
|
DINGLE
|
Don't get to meet you lot very often.
|
|
|
One: Compassionate Leave
|
DINGLE
|
When we do, we like to make you feel at home.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I want to make it clear. I'm on leave. I'm not part of the investigation.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Of course. I understand.
|
|
|
One: Compassionate Leave
|
DINGLE
|
My guv'nor would like to see you anyway. Soon as poss, he says.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Wants to sort out a few ground rules. Mainly about the press.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm not giving interviews.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Nevertheless they are persistent buggers. If you say no, they'll think you're just raising the price.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Here's to a quick result.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It's in YOUR hands.
|
|
|
One: Compassionate Leave
|
DINGLE
|
Of course.
|
|
|
One: Compassionate Leave
|
DINGLE
|
See you tomorrow.
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] Which question are you asking first? First Trident. It's three per cent over the lifetime which we apply. Three percent of the defence budget.
|
|
|
One: Compassionate Leave
|
ROBIN DAY
|
[V.O.] Six per cent of the equipment budget.
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] Yes, three per cent of the defence budget. Six per cent of the equipment budget.
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] We could not possibly get such good deterrent value for that money as we get in Trident. Now, do we should we have Trident? Yes.
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] We must, I believe, have an independent nuclear deterrent in this country.
|
|
|
One: Compassionate Leave
|
|
[PHONE RINGS]
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Room 7016.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
[V.O.] Detective Inspector Craven?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Speaking.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
[V.O.] I'd like a word with you.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Who are you?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
[V.O.] My name is Pendleton. Can you meet me in the car park?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
When?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
[V.O.] Now.
|
|
|
One: Compassionate Leave
|
|
[HANGS UP]
|
|
|
One: Compassionate Leave
|
|
(SOLO ELECTRIC GUITAR MERGES WITH DAY AND THATCHER'S DEBATE)
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] The alternative would be surrender!
|
|
|
One: Compassionate Leave
|
ROBIN DAY
|
[V.O.] Supposing they threatened you with their massive conventional forces? Is our answer to use, to rely on the nuclear deterrent? First?
|
|
|
One: Compassionate Leave
|
MARGARET THATCHER
|
[V.O.] The nuclear deterrent is there to deter ALL war, and it has.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Pendleton?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Mr Craven!
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We'll talk in my car, if you don't mind.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Yours is bugged, like your phone!
|
|
|
One: Compassionate Leave
|
PENDLETON
|
We're safe in here. Chobham plate, I'm told.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Are you from Six?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Good guess, but no. We're attached to the Prime Minister's office.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Any ID?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
No, but you can talk to Sir Maurice if you like. He heads the office.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
8-5-3...3-5-1-2.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
You mentioned Six. Where did you come across that?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Northern Ireland.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Thick on the ground?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Like blazers at Henley!
|
|
|
One: Compassionate Leave
|
PENDLETON
|
You don't like cloak and dagger, do you?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Where are we going?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
The BBC.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Why?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Because that's where the Prime Minister is. I'm looking after her tonight.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You do this for a living?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
No, but this evening we're a little short-handed. My brief's a bit wider than that, which brings me to your daughter.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What about her?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
She was some sort of terrorist, wasn't she?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Terrorist?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
According to her file.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What file?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Oh, there's a file but it's difficult to get hold of.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's your interest in this matter?
|
|
|
One: Compassionate Leave
|
PENDLETON
|
The safety of the realm. We like to know what's going on north of Watford. I presume you discount the idea of revenge? No one here believes it.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
If you have an alternative, I'd like to hear it.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
What's all this about investigating the miners?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I was called in by their election officers. Someone had been rigging the ballot.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Who stood to benefit?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
James Godbolt.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Is the motive there for murder?
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Look, I'd like you to meet my partner.
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Mr. Pendleton, I'm here in a very particular circumstance. I don't think I'd be of any use.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
On the contrary, you could be of enormous help.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Question is, were they after her or were they after you?
|
|
|
One: Compassionate Leave
|
|
[PHONE RINGS]
|
|
|
One: Compassionate Leave
|
MAN
|
[V.O.] Hello. Call Fox for Delta Two.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Delta Two received.
|
|
|
One: Compassionate Leave
|
MAN
|
[V.O.] Delta Two, owing to traffic congestion in NHG, use alternative route Charlie Hotel Bravo.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Received. Please advise all cars.
|
|
|
One: Compassionate Leave
|
MAN
|
Wilco.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
You'll have to walk back, I'm afraid. We've been re-routed.
|
|
|
One: Compassionate Leave
|
PENDLETON
|
Look, give us a ring tomorrow.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] The gunman wasn't young. He held the gun square. Emma... As she ran towards him, she shouted, "Don't!" He fired and she was thrown back.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She was running forwards and yet the blast checked her.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] When I reached her, she was on her back, struggling to get up.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She looked at me as if she'd slipped.
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] What happened to the gunman?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] For one moment, I thought, "She's all right” and then I heard her sigh. There was this exhalation, and blood all over her face, and rain.
|
|
|
Two: Into The Shadows
|
|
[PHONE RINGING]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Then I heard a car start and I could hear it sliding in the mud, and I knew he'd set a cast of the tyres, and she said, "Dad, you're hurt."
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] But it was her blood all over me.
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] You say when she ran forward, it was almost as if she knew him?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yeah, I got that impression.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
(PHONE RINGING)
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] But he called your name?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yes.
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] Did she say anything else, Ronnie?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She just looked at me once and said, "Don't tell."
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] Don't tell what?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] I don't know.
|
|
|
Two: Into The Shadows
|
JONES
|
[V.O.] And those were her last words?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yes.
|
|
|
Two: Into The Shadows
|
NEWSREADER
|
[V.O. ON RADIO] The time is 8:00. The top story this morning, the murder hunt for the killer of the young scientist Emma Craven has moved from Yorkshire to London after the discovery of an abandoned getaway car yesterday evening.
|
|
|
Two: Into The Shadows
|
NEWSREADER
|
[V.O. ON RADIO] Police have yet to issue a detailed description of the man wanted in connection with the killing. More London headlines in a moment, but first the latest on London's roads now from Dennis at the...
|
|
|
Two: Into The Shadows
|
|
[PHONE RINGS]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes?
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O.] Ronnie, did you hear the news?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You found the car.
|
|
|
Two: Into The Shadows
|
ROSS
|
We found the car. Got Lowe's fingerprints all over it.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Lowe?
|
|
|
Two: Into The Shadows
|
ROSS
|
Fifth on my list. You put him away 10 years ago, remember?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You saying he killed her?
|
|
|
Two: Into The Shadows
|
ROSS
|
I'm not saying anything until we've picked him up. The Yard says he's in London. They should have him by noon.
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O.] I'm sending Jonesy down to make the arrest. Are you with me, Ronnie?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes.
|
|
|
Two: Into The Shadows
|
|
(KNOCK AT DOOR)
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O.] I said I'm putting Jonesy on the train.
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O.] When you see Elham, tell him our man's on his way.
|
|
|
Two: Into The Shadows
|
MAID
|
Good morning, sir.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm seeing him this morning.
|
|
|
Two: Into The Shadows
|
ROSS
|
Be nice to him, Ronnie. He's been very helpful so far.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm also seeing Pendleton. Does the name mean anything to you?
|
|
|
Two: Into The Shadows
|
ROSS
|
What does he want?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
A chat, he says.
|
|
|
Two: Into The Shadows
|
ROSS
|
Well if he gives you any aggro, just refer him to me, right? Bye now.
|
|
|
Two: Into The Shadows
|
MAID
|
Thank you, sir.
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O. REPLAYED ON PHONE] What does he want?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O. REPLAYED ON PHONE] A chat, he says.
|
|
|
Two: Into The Shadows
|
ROSS
|
[V.O. REPLAYED ON PHONE] If he gives you any aggro, Just refer him to me.
|
|
|
Two: Into The Shadows
|
|
[76 SHELLS FROM A THIRTY-OUGHT-SIX PLAYING ON CAR RADIO]
|
|
|
Two: Into The Shadows
|
|
# Whittle you into kindlin'
|
|
|
Two: Into The Shadows
|
|
# Black crow 16 shells from a thirty-ought-six... #
|
|
|
Two: Into The Shadows
|
|
[CHILDREN WHOOP AND YELL]
|
|
|
Two: Into The Shadows
|
|
[CHILDREN YELLING EXCITEDLY]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I don't think it's been fired.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
I still want to check it against another round we had in a little while ago. It came from a similar weapon.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
It's quite an unusual gun, this, you know. It's based on the Swiss SIG. It's called a Firebird.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
The Egyptians had a few which they offloaded onto the market about 10 years ago.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Some of them fell into the hands of terrorists like Baader-Meinhof.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Emma wasn't a terrorist.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
I know that, old mate, but we've got to make sure, haven't we?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What I want are the prints on the gun, excluding hers.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Hers were on the Revlon bottle, weren't they?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
It's all in hand.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Can you put them through the computer for me?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
I can try.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What's today's magic word?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
In the bumf on my desk.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What do you know about a man called Pendleton?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Not much. Drives a green Mercedes and parks in other people's spaces...
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] ...dines at the Special Forces Club in Knightsbridge, and drinks with the SAS in Chelsea Barracks.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] The security boys hate him.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Did you know him in Northern Ireland?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
No.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Done any work for him?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Recently?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
There was a weapon which had been found in water which he wanted tested for radioactivity.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And was it?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Radioactive?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] Oh, yeah.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] His friend Harcourt's the one to watch.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Harcourt?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] His other half.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Drafted in from Lloyds. Dangerous bugger!
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What's his background?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
[O.S.] The City.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
City?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Could I get through to R2 on this?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
MI5, you mean?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah. The Registry.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
That's more than my life's worth!
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What does the phrase "Access Restricted" mean?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
It means you can't get it on that file because it's on another file.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Thanks, Carlisle. That's really helpful.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Or it could mean that the guy's an informer so his record is restricted.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
They don't match, do they?
|
|
|
Two: Into The Shadows
|
CARLISLE
|
No.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I told you. She wasn't into that sort of thing.
|
|
|
Two: Into The Shadows
|
CARLISLE
|
Do you want the gun back?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah. And any information you can give me on the prints.
|
|
|
Two: Into The Shadows
|
|
[BRAKES SQUEAL]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Wait here. I'll be about ten minutes.
|
|
|
Two: Into The Shadows
|
|
[RINGS DOORBELL]
|
|
|
Two: Into The Shadows
|
|
[FOOTSTEPS ON STAIRS]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Terry Shields?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Yeah.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm Emma's dad.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Come in.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Straight up.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[DOWN PHONE] Hi, sorry. Yeah, there was somebody at the door.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[DOWN PHONE] What? No, come on, we've discussed this already!
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[DOWN PHONE] Yeah, we'll talk about it at Julie's on Wednesday.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[DOWN PHONE] Look, there's somebody here. Can you call me back later?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[DOWN PHONE] Tonight, yeah. No! You call me! Okay.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Look, they've already been here!
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Who?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
The Yard. They looked around. Interviewed me. It's all on record.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
She told me she was leaving home. She was coming here?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Well, we talked about it, but...
|
|
|
Two: Into The Shadows
|
SHIELDS
|
We didn't have much time for home-building, even for the relationship. Politics is a full-time business.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I thought you were a lecturer.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Yes, I am, and Emma was a physicist, but life doesn't stop with the job, unless you're a policeman, I suppose.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Socialist Advance...
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Is that the name of your party?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
I'm the Assistant Secretary.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Not your cup of tea.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Was Emma a member?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Yes, but she directed most of her energy towards sexual politics, Greenham, the ecology movement...
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Not exactly our priorities.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It must have been quite difficult for you two to hit it off.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Having such a diversity of views, I mean.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
It was a physical thing.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How deeply was she involved with GAIA?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
She was committed.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How did that show itself?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
I don't know much about it, but what I do know, I don't think she'd have wanted me to tell you.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Perhaps you're right. Her last words were, "Don't tell."
|
|
|
Two: Into The Shadows
|
SHIELDS
|
What?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It all happened very suddenly, rather like a car crash.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
If you've ever been in one, you'll know it's often quite difficult to remember the actual sequence of events.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
For instance, I sometimes think she said, "Don't tell"
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] as she was running towards the gunman, or rather...
|
|
|
Two: Into The Shadows
|
CRAVEN
|
"Don't, Tel!"
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Your friends call you Tel?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
But she didn't.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What did she call you?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
She called me darling, dearest, my love.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
[O.S.] Tel's a nickname used by old schoolmates.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The gunman stepped out. She ran towards him. She shouted, "Don't!" She died in my arms. Her last words were, "Don't, Tel!"
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Look, I was at the City Institute in London. I was 200 miles away.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, I know.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
So if you've come to intimidate me, you've picked the wrong man.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I came for her things, Tel.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
I'll get them.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
This is all there is.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
She travelled light.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
It pays to these days.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Look, it is possible that it was nothing to do with me, that she was trying to warn you not to tell them about what was going on in her life.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What was going on?
|
|
|
Two: Into The Shadows
|
SHIELDS
|
I made a point of not asking.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Well, if you remember, call me.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
Craven!
|
|
|
Two: Into The Shadows
|
SHIELDS
|
This is an obituary I wrote for our paper.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'll read it later.
|
|
|
Two: Into The Shadows
|
SHIELDS
|
It's just a short piece written in haste. I hope it does her justice.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
As I said, call me. I'm at the Hilton, Shepherd's Bush.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That wasn't your nightie on the bed, was it?
|
|
|
Two: Into The Shadows
|
EMMA
|
[O.S.] No.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I didn't think it was.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You're dead less than a week and already he's got another woman in his bed. Do you understand that?
|
|
|
Two: Into The Shadows
|
EMMA
|
Yes, I do.
|
|
|
Two: Into The Shadows
|
EMMA
|
He has his good points.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Such as?
|
|
|
Two: Into The Shadows
|
EMMA
|
He was a good lover.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm sure he was.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And in that van down there, was a man listening to every creak of the bed, every sound you made.
|
|
|
Two: Into The Shadows
|
EMMA
|
You're jealous, Dad.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
New Scotland Yard.
|
|
|
Two: Into The Shadows
|
|
[ENGINE STARTS]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He's a bastard!
|
|
|
Two: Into The Shadows
|
EMMA
|
[O.S.] What does the word Azure mean?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The word 'azure' is a police intelligence term. It means the room is bugged or under some sort of electronic surveillance.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The word 'cinnamon' denotes the use of microphones inside telephones or junction boxes.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
'Tow rope' is the raw material gathered by telephone intercepts at the post office.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
F Branch is the office in MI5 in London that analyses the material.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
R2 is the MI5 computer that logs the material.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
We have a link with R2, but it's difficult to get at.
|
|
|
Two: Into The Shadows
|
EMMA
|
That's where all the GAIA stuff will be.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
[V.O. ON PHONE] Pendleton here.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
This is Craven. When do we meet?
|
|
|
Two: Into The Shadows
|
PENDLETON
|
[V.O.] When is your appointment at Scotland Yard?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
11.30.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
[V.O.] Meet me in the basement car park at 11:00.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
We keep meeting in car parks.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
[V.O.] That is because you're under observation. You're being followed.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
My love, my darling. What was the other thing you called him?
|
|
|
Two: Into The Shadows
|
EMMA
|
Dearest.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
His bed is bugged, he's probably an informer and you called him dearest!
|
|
|
Two: Into The Shadows
|
EMMA
|
It's not his fault.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He told you that, did he?
|
|
|
Two: Into The Shadows
|
EMMA
|
He was playing them at their own game.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Who?
|
|
|
Two: Into The Shadows
|
EMMA
|
The people who were after him.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And who are they?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How much do I owe you?
|
|
|
Two: Into The Shadows
|
CABBIE
|
£8.70.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Detective Sergeant Jones, please, Yorkshire. I believe he's in Detective Superintendent Elham's office.
|
|
|
Two: Into The Shadows
|
SERGEANT
|
Your name, please, sir.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Craven. Inspector.
|
|
|
Two: Into The Shadows
|
SERGEANT
|
You can go up, sir. Eighth floor. Room 810.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Thank you.
|
|
|
Two: Into The Shadows
|
|
[TYRES SCREECH]
|
|
|
Two: Into The Shadows
|
|
[BEEPS HORN]
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Get in.
|
|
|
Two: Into The Shadows
|
|
[CAR REVVING]
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What happened to the Merc?
|
|
|
Two: Into The Shadows
|
PENDLETON
|
We only use it for posh occasions. We're trying to save on fuel.
|
|
|
Two: Into The Shadows
|
|
[CRAVEN LAUGHS]
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Not exactly Albany, but it's home.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
You are about to meet Harcourt. Double first at Cambridge and an authority on E.M. Forster, he tells me, but a complete twot, I think, when it comes to making connections.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
I, myself, favour an Irish education.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Anyone who has examined the Book of Kells cannot but be impressed by the labyrinthine coils of the Celtic imagination.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Are you a Celt, by any chance, Craven?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Henry!
|
|
|
Two: Into The Shadows
|
PENDLETON
|
Henry, this is Inspector Craven.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Ah.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
I was sorry to hear your news, Inspector.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Letters, Ellen.
|
|
|
Two: Into The Shadows
|
ELLEN
|
Yes, sir.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
It must have been a great blow.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Bizarre, I know, but not the sort who posts things to the Guardian.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Where did you find her?
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Art school.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
I'll get Ellen to make us some tea.
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Pendleton said you wanted to see me.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
What do you know about GAIA?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Only what my daughter told me.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
And what did she tell you?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That it was an organisation against nuclear power.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Was she a member?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, I think she was.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
You agree with her views?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No...
|
|
|
Two: Into The Shadows
|
CRAVEN
|
But I enjoyed the conversations.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Sit down, Mr Craven.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Would you say that GAIA was a subversive organisation?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
They broke a few rules.
|
|
|
Two: Into The Shadows
|
HARCOURT
|
Did you know that six of them broke into the nuclear waste plant at Northmoor, eight weeks ago, and they were led by your daughter?
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
Two: Into The Shadows
|
PENDLETON
|
What we want to find out is whether Emma's death had anything to do with the break-in.
|
|
|