| episode | character | line | show
excerpt |
|
|
One: Compassionate Leave
|
CRAVEN
|
I want to get THIS cleared up.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It was fraud, Jim!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Craven.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He wants it put off.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Indefinitely.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No. We won't go to Blackpool, that's all I agreed.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Picking up Emma. Why?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Ross said it was a reporter.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Don't catch pneumonia. It's pissing down outside.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Where's your coat?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I got stuck in a crowd of your sisters. It was difficult to concentrate.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Do I?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Why?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We're making progress.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I can't say I'm sorry.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'll find some little number. Set her up.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[Whispers] Give us your hand.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
When are you going?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Have you found someone?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's he like?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[O.S.] Ratatouille.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No, it isn't.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You can't tell the difference.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I've got this new recipe!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You open a tin of tomatoes, a tin of aubergines...
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm staying.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm staying.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He called me out...
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
..but she ran forward.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It was a shotgun.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
He fired both barrels.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I don't want anyone in the house, and it's too wet for him out here.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We'll manage.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I guess so.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Any news?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It could be.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
OK.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm fine.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
In London, I should think.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yeah.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Sir, I want to get down to the college. Pick up her stuff.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
This afternoon.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
just get her age right. She was 21, not 19 as the radio put it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'll go down now.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes, I'm sure!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Thank you, sir.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Thank you, Shirley.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
C'mon, lass.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You'll have us all at it in a minute!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
She wouldn't have minded.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Let's get on with it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Don't lecture me, Muntsey!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes, sir, it is.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
LEAVE IT!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What was the cause of death?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] I wanted to kiss you but it would have embarrassed Muntsey, so I asked for some scissors and cut off a piece of your hair.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] It was still damp, and despite the lycol, it smelt of rain and crushed grass.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Get lots of complaints, do you?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Is this it?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Open it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I've done that.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
 Godbolt.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Nail him if you can.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
A couple of weeks.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Break-ins, mostly kids. Craigmills area. And that's the lot.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm going to London.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
That's where they'll be and I want to be there when they're picked up.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes. I don't know the latest.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
And?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Suppose it's none of them?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Suppose it's nobody on the list? Someone else?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I don't know.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Not that I can think of.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] I've only been to London on two occasions not connected with business.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] Both times with your mother.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] The first time, we went to Buckingham Palace where I received a medal from the Queen.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] The second was when we went to a hospital on the Fulham Road so she could have an operation.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O] We were there for six weeks, and you were sent to stay with your Auntie May.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
She said "You must be a very brave man, Inspector."
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
There was a reception - we did have tea but not with the Queen.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Ann Soames' dad is a Communist.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Someone who doesn't like the Queen.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's money got to do with it? Money doesn't come into it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You would still be dead and so would Mum.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm not.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] I suppose it's only natural, but a city seems to reflect the memories one has of it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
[V.O.] Emma always connected London with that trip to Buckingham Palace, but I always associate it with cancer.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Yes.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Who's paying for this?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I want to make it clear. I'm on leave. I'm not part of the investigation.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I'm not giving interviews.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
It's in YOUR hands.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Room 7016.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Speaking.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Who are you?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
When?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Pendleton?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
We'll talk in my car, if you don't mind.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Are you from Six?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Any ID?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Northern Ireland.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Like blazers at Henley!
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Where are we going?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Why?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
You do this for a living?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What about her?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Terrorist?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What file?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
What's your interest in this matter?
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
If you have an alternative, I'd like to hear it.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
I was called in by their election officers. Someone had been rigging the ballot.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
James Godbolt.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
No.
|
|
|
|
One: Compassionate Leave
|
CRAVEN
|
Mr. Pendleton, I'm here in a very particular circumstance. I don't think I'd be of any use.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] The gunman wasn't young. He held the gun square. Emma... As she ran towards him, she shouted, "Don't!" He fired and she was thrown back.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She was running forwards and yet the blast checked her.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] When I reached her, she was on her back, struggling to get up.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She looked at me as if she'd slipped.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] For one moment, I thought, "She's all right” and then I heard her sigh. There was this exhalation, and blood all over her face, and rain.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Then I heard a car start and I could hear it sliding in the mud, and I knew he'd set a cast of the tyres, and she said, "Dad, you're hurt."
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] But it was her blood all over me.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yeah, I got that impression.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
(PHONE RINGING)
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] She just looked at me once and said, "Don't tell."
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] I don't know.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Yes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You found the car.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Lowe?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You saying he killed her?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm seeing him this morning.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm also seeing Pendleton. Does the name mean anything to you?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
A chat, he says.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O. REPLAYED ON PHONE] A chat, he says.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I don't think it's been fired.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Emma wasn't a terrorist.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What I want are the prints on the gun, excluding hers.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Can you put them through the computer for me?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What's today's magic word?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What do you know about a man called Pendleton?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Did you know him in Northern Ireland?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Done any work for him?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And was it?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Radioactive?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Harcourt?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What's his background?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
City?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Could I get through to R2 on this?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah. The Registry.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What does the phrase "Access Restricted" mean?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Thanks, Carlisle. That's really helpful.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
They don't match, do they?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I told you. She wasn't into that sort of thing.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah. And any information you can give me on the prints.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Wait here. I'll be about ten minutes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Terry Shields?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm Emma's dad.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Who?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
She told me she was leaving home. She was coming here?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I thought you were a lecturer.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Socialist Advance...
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Is that the name of your party?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Was Emma a member?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It must have been quite difficult for you two to hit it off.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Having such a diversity of views, I mean.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How deeply was she involved with GAIA?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How did that show itself?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Perhaps you're right. Her last words were, "Don't tell."
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It all happened very suddenly, rather like a car crash.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
If you've ever been in one, you'll know it's often quite difficult to remember the actual sequence of events.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
For instance, I sometimes think she said, "Don't tell"
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] as she was running towards the gunman, or rather...
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
"Don't, Tel!"
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Your friends call you Tel?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What did she call you?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The gunman stepped out. She ran towards him. She shouted, "Don't!" She died in my arms. Her last words were, "Don't, Tel!"
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, I know.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I came for her things, Tel.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
She travelled light.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What was going on?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Well, if you remember, call me.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'll read it later.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
As I said, call me. I'm at the Hilton, Shepherd's Bush.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That wasn't your nightie on the bed, was it?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I didn't think it was.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You're dead less than a week and already he's got another woman in his bed. Do you understand that?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Such as?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'm sure he was.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And in that van down there, was a man listening to every creak of the bed, every sound you made.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
New Scotland Yard.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He's a bastard!
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The word 'azure' is a police intelligence term. It means the room is bugged or under some sort of electronic surveillance.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The word 'cinnamon' denotes the use of microphones inside telephones or junction boxes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
'Tow rope' is the raw material gathered by telephone intercepts at the post office.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
F Branch is the office in MI5 in London that analyses the material.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
R2 is the MI5 computer that logs the material.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
We have a link with R2, but it's difficult to get at.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yeah.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
This is Craven. When do we meet?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
11.30.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
We keep meeting in car parks.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
My love, my darling. What was the other thing you called him?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
His bed is bugged, he's probably an informer and you called him dearest!
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He told you that, did he?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Who?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
And who are they?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How much do I owe you?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Detective Sergeant Jones, please, Yorkshire. I believe he's in Detective Superintendent Elham's office.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Craven. Inspector.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Thank you.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What happened to the Merc?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Where did you find her?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Pendleton said you wanted to see me.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Only what my daughter told me.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That it was an organisation against nuclear power.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, I think she was.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No...
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
But I enjoyed the conversations.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
They broke a few rules.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Is there anything to suggest that it was?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
If I knew that, I wouldn't have given it to Carlisle.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I presume you haven't told Ross about the break-in at Northmoor.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Yes, till I know what's going on.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
For instance, I don't know who you are or what your interest is.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He said something about the safety of the realm, but no more.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I came here to discuss the file Mr Pendleton mentioned last night. A file on Emma.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Let's be clear about this. You want me to help you but you won't tell me what all this is about?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Okay.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It's Godbolt.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Correct.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, it had.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I didn't know there was any connection.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
11.30.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I'll find my own way.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Could I have the Home Office, please? Extension 2793. Thank you.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Carlisle? What happened?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
They're returning the gun. Let me know if anyone else shows an interest.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, today if possible.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I got lost.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I thought you had me under observation.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Of course I am.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I changed my mind and checked out again!
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I said I wasn't giving interviews.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Have you got his file?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It's black.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
How's it going your end?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No news on the other one?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, I do.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What's the purpose of this interview?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Could I have a glass of water?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes, there was a car used in the incident which has turned up in London that has been traced and the enquiry has virtually moved, full-scale, down to this area.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I had just picked Emma up from her college. It was about five minutes' drive away. It was a rainy night... (INDISTINCT)
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Room 7016.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Who did you say you are?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I am not a friend of Harcourt's. I only met him today and I don't like him already.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
When?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It's almost 11.30, Mr Jedburgh, and I am just about to go to bed.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
The Tiberio?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Mr Jedburgh?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No Harcourt?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
What about Pendleton?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Your friends are stationed in London?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No, sir.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
According to Waylon Jennings.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
He just made a new record.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It was the time of the preacher, in the year of 01, and just when you think it's all over, it has only begun.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That comes later.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
...and he tried.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
# In the halls of his memory still echo her eyes
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
# And he cried like a baby
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
# And he screamed like a panther in the middle of the night
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
# And he saddled his pony and he went for a ride
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Gun.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You work for the CIA?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I find that hard to believe.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
White Rolls and Stetsons?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
From what?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No, sir.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] One year ago, the MOD test station at Eskmeals confirmed radioactivity of above normal background level at the Corry reservoir, Craigmills, Yorkshire.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] The usual emergency procedures were activated under NAIR arrangements and the reservoir was shut down. An independent inquiry was initiated under the chairmanship of Dr Anthony Marsh.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Suspicion pointed to a secret plutonium source hidden in Northmoor nuclear waste plant, ten miles from the city. Northmoor is a labyrinth of mines which have been utilised by the British Army since World War II.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Recently, the mines were sold to a private company, IIF, specialising in the storage of low-grade wastes. IIF is owned by Mr Robert Bennett, a free willing entrepreneur with extensive connections in the nuclear industry.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] There have been persistent rumours that plutonium has been illegally stored there. These rumours have always been denied.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] But in the summer of this year, a team of scientists from the ecology group GAIA, penetrated the mines. They were organised and led by a local woman, Emma Craven.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Since all those connected with this adventure are now dead or disappeared, it is difficult to discover what their mission was or whether it was successful.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
I know. I'm sorry.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Is there anything I can do?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
That lets Sellafield off the hook.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
It's none of your business.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Spent fuel rods have been known to leak
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Northmoor is a nuclear waste plant. Anyone who breaks in there will be met with ultimate force. It's the most dangerous business in Britain.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[O.S.] Don't even think of it.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] The location of plutonium at Northmoor raises doubts about the status of current agreements with the British Government. While our own need for plutonium is at a premium and British reserves are already at an all-time high, evidence that they have further stocks is something of a blow to those who advised us to put our faith in the UK.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Is it possible that these stocks are not the product of the British reprocessing plant at Sellafield? This raises the sinister question as to where that source might be, and for what purpose it is being made? As a matter of priority, we must find out what's going on at Northmoor.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Emma Craven. Aged 21. Bachelor of Science. Studied under Emily Threadwell at the Cavendish. GAIA's representative at Craigmills College. Relatively inexperienced in these matters, she was ordered to organise a raid on the mines.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] No one knows exactly what occurred, but one source indicates that the team were trapped in an underground tunnel below the cooling pools and that a large quantity of radioactive water was directed into it.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O] Whether this was a calculated act on the part of the company is not known. Her boyfriend, Terry Shields, a left-wing firebrand, Is believed to have passed information to Scotland Yard Special Branch on matters connected with Socialist Advance, the Trotskyite party to which he belongs.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] It is possible that Special Branch would have had foreknowledge of the raid and alerted the company accordingly.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
[V.O.] Her father, a detective in Craigmills, may also have known of his daughter's activities. It is difficult to conclude that he did not. Yet he made no attempt to stop her going in. Why?
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Yes? He is out in the field. That's the message I got.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
"Obituary, Emma Craven. Emma Craven, who died tragically at the hands of a gunman last week, would have been 22 today. For the past three years, she's been a fully paid-up member of Socialist Advance, serving in a number of capacities, particularly on the political committee."
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
"It is not our practice to comment on the personality of party members, but in this particular case, Craven, despite her background, showed both courage and wit. She was, and always will be remembered as a good comrade."
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
Comrade.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
No, I don't.
|
|
|
|
Two: Into The Shadows
|
CRAVEN
|
You loved him.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I brought your file back.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, sir.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Yes, please.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Out?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
"To go into the shadows," what does that mean?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
It says here she went into Northmoor with half a dozen friends, looking for plutonium. It doesn't say anything about being armed.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What do you know about Northmoor?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
She was not a terrorist.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Cutting corners.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
The sort of thing we do every week!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I could have taken a cab.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Okay, tell me what you know about GAIA.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
My daughter never expressed such a view.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What happened?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
How is he?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] I was driving Ann to the hospital at the time. Twice a week for radium treatment. There was something in her manner that told me not to talk about her illness. Every time I tried to discuss it, she warned me off.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] The doctor, of course, told me nothing. I realised it was serious when I found she'd being buying clothes for Emma, but they were much too big. I volunteered to take them back but she said, "No, let it be."
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] It was only later it occurred to me her choice had been deliberate. She knew she was dying, and she wanted to stock up on things like clothes for Emma before she went. I remember it clearly. Dropping Ann off. Seeing the pain in her face. And then confronting Lowe a few minutes later.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Lowe... This is Mr Craven. Can you hear me? You've been hurt, but you're safe now. No one can reach you here.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] He had committed a brutal killing in pursuance of a theft, and there was a sexual element. There was no evidence to speak of, and nothing of a forensic nature, so we needed a statement. An admission of guilt.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Lowe, this is Mr Craven, remember? Ronnie Craven. I'm here to help you.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] I developed a soft approach in interrogation, which with certain prisoners meant spending long periods of time alone with them. It would involve holding hands and being physically close. Sometimes, I even kissed Lowe.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Lowe, can you hear me?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] And it worked.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
This is Ronnie Craven.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] He was a brutal man, though not without resources. He knew what I was doing, and the kind of pressure I was putting on him.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Now, you're hurt. You're hurt badly. Who is it you're afraid of?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] But driving Ann to the clinic each morning made it easy to share his torment.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I want you to tell me...
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] Soon, we were like lovers, and lovers have no secrets.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O] Eventually, he signed a statement, and when it was produced in the High Court, he was convicted...
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I've lost my daughter.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] ...by which time, Ann was dead.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I want to know who killed her.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Lowe.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Lowe, who was the other man?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I've got a name.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
He was a gunman. Ex Provo. Part of the fall-out from Belfast.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Eight years ago, but he had nothing to complain about.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
If he did, he was paid to. Someone gave him a gun, a car, my address, details of my movements.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Do you really think two misfits like Lowe and McCroon can turn up out of the blue?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Let me off here. I'll walk.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You just killed the chief witness.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[TO ROSS] I'll call you later.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Yes, I am! I'm angry!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What the hell were you up to? What the hell do you think you were doing?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Did you? Like hell you did!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You took on some of the toughest men in the most dangerous business on this earth. God knows what they had down there.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
They were just waiting for you! You didn't stand a chance.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What I want to know is, who the hell let you in there? Who let you do it? Emma?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[SHOUTING] Emma!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Who is it?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
And are you?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You're also a police informer.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What did you tell them about Emma?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What did you tell them?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Where?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What the hell is a hot cell?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] Craven speaking. Superintendent Ross, please.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I'm sorry I lost my temper like that, but I really think we should sort out the alternatives.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] When are you leaving?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Thanks, but I'll come on later.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Look, I'll see you at the funeral. I need a couple more days down here.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] Lesson number one when fighting terrorism is be ordinary. Show no distinctive features, either of dress or behaviour. Wear nothing that attracts attention.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] That put Mac at a disadvantage. He had red hair. From Portadown to Ballymena, he was known as Carrot Top.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
It was only a matter of time before they got him.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Hello, Mac. How are you?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
How are the grafts doing?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Any of the boys been to see you?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You should have got out, Mac. You were pushing your luck.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
She's dead. She was killed. Gunned down last week.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
They say he was looking for me.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
McCroon.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Revenge?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
There's another dimension to this. I want to get into the MI5 computer in Curzon Street.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I wasn't thinking of using the front door. I need an unguarded terminal and tap straight into the Registry, but I need help.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I'm serious, Mac. Emma's dead. Both barrels of a shotgun straight in the chest. I was there, Mac. She died in my arms. I can't just sit back and watch them making all the wrong moves!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
It's Godbolt.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I don't know.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What's a hot cell? Shields came by, told me there was something called a hot cell in Northmoor which is why Emma went down there.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Yeah.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Do you work for him? -No, I'm just a friend, but we do have interests in common, like GAIA.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Who was that?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, a policeman.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I know his face.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Is that why I was brought here? To upset Bennett?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
On to him?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Is there anything else I can do for you?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You want me to be a witness?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Why me?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, thanks. Sorry.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
A man of few words.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Where did you meet Darius?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
You rescued him.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
So, when did you two become friends?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What does he know about GAIA?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Jedburgh?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Washington?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Not yet.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Mummy will sleep on the top, Emma will sleep on the bottom.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Daddy will sleep with Emma.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, she won't.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
All right. You sleep with her.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, I won't feel neglected.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
No, I will not feel neglected, Emma, believe me!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
But you're the smallest!
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
[V.O.] Emma sleeps on the top, Mummy sleeps on the bottom.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Can I have that back, sir?
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
What I want is a warrant to get into Northmoor.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
I would like the watch taken off my house.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
McCroon isn't going to come as long as it's there.
|
|
|
|
Three: Burden Of Proof
|
CRAVEN
|
Okay.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I want the watch taken off my house.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I've been waiting for you.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I've already made the call.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You're talking about ten years? We're talking about Ireland.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
And for that, you killed my daughter?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You fired both barrels into her chest.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You could have picked me off blindfolded if you'd wanted to, you daft Irish prat!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
How long have you been out?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You waited a whole year before you came looking for me?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Someone gave you the gun and car, and told you where to find us. Who was it?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I want to know before you pull that trigger.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
It matters to me.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Please... I want to know.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
No! No! No! No!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
(WAILS) No! No! No! No!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
No.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
She no longer speaks to me.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
What worries me is not that she's gone, but that we parted on such bad terms.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
In Hyde Park. I felt myself disintegrating. She was telling me to hold on. She kept asking me to be... Strong... Like a tree.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
That was how she saw me. Just...
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Because... She allowed herself to be... Abused... Got herself into such a mess.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Okay. Did you call into the house?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Why did you leave the marksman on site?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You gave me your word.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I was drawing it out of him. He wanted to tell me.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Emma!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Emma!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
It was my job to select and train informers. In those days, you could only find them in jails. McCroon was one of them. You know how it is with informers, they grow to depend on you.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You do, don't you? I had six or seven of them working for me. Then when Ann got cancer, I came home, and they were all... Let go.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
It was all out of my hands. Some of them were betrayed to the IRA. Some of them were used in dirty little schemes, which meant their inevitable exposure. None of them received the money or the protection I had promised them.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Yes. But he... Something else motivated him.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Emma.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Ratatouille...
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Emma?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Emma!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Northmoor is a nuclear waste plant. Anyone who breaks in will be met with ultimate force.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
[O.S.] It's the most dangerous business in Britain. Don't even think of it.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
[O.S.] Mrs Mac?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
This is Ronnie Craven. I spoke to your husband three weeks ago. He gave me a name, Toby Berwick, but I need his number.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
4721005. I'll be in London tonight. I'll ring him when I arrive.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
[O.S.] Thank you very much. [HANGS UP]
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
A friend of a friend.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I hope so.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I'm going to go in.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You're exaggerating again. But I'm glad you're back. I've missed you.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
He doesn't use long words like that.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I was in hospital.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
No.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Come Dancing?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Vodka and ice.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
How was El Salvador?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
How was the golf?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
They damned near got me, too.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I want to know more about GAIA. Clementine told me you had a hand in founding it.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Why was the CIA promoting a British anti-nuclear ecology movement?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
So your involvement ended there?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I found this in Emma's things.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
It's the route they took into Northmoor.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Yeah.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
That's what I hoped you'd say.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Toby Berwick?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Who's this?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
What's she doing here?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Can you operate a keyboard?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Where is it?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
All right. Sends his regards. Do you know him well?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
GAIA. G-A-I-A.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Aims.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Try the Northmoor reference.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
IIF.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
The Craven number.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Go back to Northmoor, access security.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Access Northmoor security.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Access Oxford Street.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Access Oxford Street.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Access Oxford Circus.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Have you seen a tall couple...
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Got what?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
What's it about?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Thanks.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
By whom?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I'm under house arrest, is that it?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Craven.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I was at the theatre.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
What do you want, Pendleton?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I said no.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Fridge. Keeping me awake.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I'm one of them.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
The know about Emma breaking into the plant. They think I can shed some light on it.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I can tell them what I've found out since she died... Which is quite a lot.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
How did you get involved in the first place?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
That must have made life difficult.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Was it Bennett who rigged the last union vote?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Why didn't you tell me this at the time?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Do you remember that television programme you made two or three weeks ago?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
In it, you said that Emma was murdered... by mistake.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You were trying to tell me something.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
She was killed by mistake. That's what you said. Was it McCroon who made the mistake?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
They? Who are they?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
How did they make a mistake?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Me?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
They got it wrong.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
You? You took them in?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Why didn't you tell me?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
She was my daughter!
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Godbolt.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
There's nothing wrong with my mind.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
And what's that supposed to mean?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I'm sorry to hear that.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
I wondered if you'd made up your mind about our little trip?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
What?
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Yes.
|
|
|
|
Four: Breakthrough
|
CRAVEN
|
Pendleton.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
He was over there. We were standing here. He stepped forward, shouting my name.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
No. It's new.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
I believe it.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
How deep does this go?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Did Emma come down here?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
How did she get back? Alone?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
It sounds like a train.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Emma went through all this and never said a word to me.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
You'd have been out of a job, then.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
We abseil down here?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Thanks.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
You, too.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
What's for lunch?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
No locks.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
There's a plaque on the wall says it was built by a condominium in 1962, whoever they may be.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
They know we're down here, don't they?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Who told them?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
What exactly were your orders?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
The plutonium?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
You should have told me that up there. Now, let's get going.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
That's right.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
What will you do with it when you've got it?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
What will they do with it?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Why do you hate Grogan so much?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
And who is he?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
You believe in all that stuff?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
I don't know.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Jedburgh!
|
|
|
|
Five: Northmoor
|
CRAVEN
|
I want to go on.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Jedburgh. Camera.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
You going in here?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
I'm staying here.
|
|
|
|
Five: Northmoor
|
CRAVEN
|
How long do you need?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Jedburgh! They're here!
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Where are you going?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
With the plutonium?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
What happens to the rest?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
It matters. You'd do that, wouldn't you?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Where?
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Come on!
|
|
|
|
Five: Northmoor
|
CRAVEN
|
Get me Pendleton!
|
|
|
|
Six: Fusion
|
CRAVEN
|
(CROAKS) With Jedburgh.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I don't know.
|
|
|
|
Six: Fusion
|
CRAVEN
|
We found the hot cell.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Where am I?
|
|
|
|
Six: Fusion
|
CRAVEN
|
I feel sick.
|
|
|
|
Six: Fusion
|
CRAVEN
|
How bad is it?
|
|
|
|
Six: Fusion
|
CRAVEN
|
They all drowned.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Em. What's that?
|
|
|
|
Six: Fusion
|
CRAVEN
|
It's black.
|
|
|
|
Six: Fusion
|
CRAVEN
|
They all drowned.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Why didn't you tell me?
|
|
|
|
Six: Fusion
|
CRAVEN
|
No!
|
|
|
|
Six: Fusion
|
CRAVEN
|
Three days like this, and then it's rapidly downhill, or so I'm told.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I haven't... I don't know. I'd like to find Jedburgh first, if I can.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I know.
|
|
|
|
Six: Fusion
|
CRAVEN
|
You've already been an enormous help.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Why not? We all do, you know. I left a report of my investigations so far with my bank manager. If you give him this, he'll give the report to you. It was going to the Chief Constable, but now I'd rather GAIA have it.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Don't try and come after me.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I'm dying.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I feel so much is left undone.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I still don't understand.
|
|
|
|
Six: Fusion
|
CRAVEN
|
It will take more than a black flower to save us this time.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Is this some kind of warning?
|
|
|
|
Six: Fusion
|
CRAVEN
|
When did you see him last?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Okay. That's fine. Thanks.
|
|
|
|
Six: Fusion
|
CRAVEN
|
How have you been feeling?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Yeah. What the hell are you doing up here?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Last night.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Yeah. You caused quite a stir.
|
|
|
|
Six: Fusion
|
CRAVEN
|
No. They've got that screwed down tight.
|
|
|
|
Six: Fusion
|
CRAVEN
|
What about me?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Two weeks.
|
|
|
|
Six: Fusion
|
CRAVEN
|
You didn't complete it.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Do you know what Harcourt told me last night? Grogan had reached the conclusion that the inquiry would stop the takeover, so he decided to get the plutonium another way. Then he thought of you. Who would walk into a cave full of radiation?
|
|
|
|
Six: Fusion
|
CRAVEN
|
You would, given the right scenario. All he had to do was make a call to Washington to make sure they fed you the right orders. They didn't just betray you. They made a fool of you.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Where is the plutonium?
|
|
|
|
Six: Fusion
|
CRAVEN
|
What shape is it in?
|
|
|
|
Six: Fusion
|
CRAVEN
|
You turned it into a bomb?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Why?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Is it armed? Fused?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Would it work?
|
|
|
|
Six: Fusion
|
CRAVEN
|
A nuclear explosion?
|
|
|
|
Six: Fusion
|
CRAVEN
|
It seems rather hard on the rest of Scotland.
|
|
|
|
Six: Fusion
|
CRAVEN
|
What other ideas have you had? To end it all?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Where's the plutonium?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Mind if I use the phone?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Yes.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I'll have to take that chance.
|
|
|
|
Six: Fusion
|
CRAVEN
|
They?
|
|
|
|
Six: Fusion
|
CRAVEN
|
If we're lucky, they will.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I've found him.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Loch Lednock. By the dam. Be careful. It's packaged. I'll meet you there tomorrow, 8:00.
|
|
|
|
Six: Fusion
|
CRAVEN
|
# It was the time of...
|
|
|
|
Six: Fusion
|
CRAVEN
|
# And he screamed like a panther
|
|
|
|
Six: Fusion
|
CRAVEN
|
# In the middle of the night...
|
|
|
|
Six: Fusion
|
CRAVEN
|
I am no longer seeking vengeance.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Waiting for what to happen?
|
|
|
|
Six: Fusion
|
CRAVEN
|
And what side are you on?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Jedburgh... You are not and never will be on the side of the angels.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Then, you do believe in Gaia?
|
|
|
|
Six: Fusion
|
CRAVEN
|
As an idea.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Including man.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I think you're wrong.
|
|
|
|
Six: Fusion
|
CRAVEN
|
On my way here, I had a weird conversation with Emma. She warned me about a black flower, which she said would spread across the northern hemisphere and melt the polar ice cap.
|
|
|
|
Six: Fusion
|
CRAVEN
|
She said... that the planet would turn against mankind and destroy him.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Is this relevant?
|
|
|
|
Six: Fusion
|
CRAVEN
|
I think you're taking the piss, Jedburgh.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I think you're wrong. If there is a battle between the planet and mankind, the planet will win.
|
|
|
|
Six: Fusion
|
CRAVEN
|
On the side of the planet.
|
|
|
|
Six: Fusion
|
CRAVEN
|
I don't see the point of moving from this spot.
|
|
|
|
Six: Fusion
|
CRAVEN
|
Why?
|
|
|
|
Six: Fusion
|
CRAVEN
|
Just do it. Do it!
|
|
|
|
Six: Fusion
|
CRAVEN
|
I am not on your side!
|
|
|
|
Six: Fusion
|
CRAVEN
|
Emma!
|
|